日本 Japan

场地 Venue
深圳 B10 现场 B10 LIVE, Shenzhen

演出者 Artists
林栄一 Eiichi Hayashi – 萨克斯 Saxophone
石渡明廣 Akihiro Ishiwatari – 吉他 Guitar
冨樫マコト Makoto Togashi – 低音提琴 Double Bass
林頼我 Raiga Hayashi – 鼓 Drums

林荣一 1950 年 1 月生于东京，中学时开始在铜管乐队中演奏萨克斯。

毕业后的约 10 年里，他在歌舞厅大乐队和自己的乐队中演奏比波普和 R&B 等，但因这些活动并不被大众所熟悉，他常被圈内人称为“幻影中音萨克斯手”。

他与日本著名钢琴家山下洋辅的有一段颇为有趣的交集：高中时期，他曾即兴加入过山下洋辅三重奏在新宿 Pit Inn 的现场演出；而在 1981 年，他偶然与山下重聚，并作为特邀成员加入了当时的山下洋辅三重奏。乐队虽然于 1983 年解散了，但他们的欧洲巡演录音被发行为专辑 In Europe 1983，留下了珍贵的记录。

1990 年，他组建了自己的管弦乐团 MAZURU，在德国纽伦堡爵士音乐节上演出并大获好评。此后，他与大西顺子、明田川荘之、高濑亚纪和森山威男等人合作。也是在这个时期，他开始出现在更多专辑中，其独特的声音被更多听众听到。除了演奏，他还广泛进行作曲和编曲。其中，“Naadam”成为渋さ知らズ （涉不知）乐团的代表曲目。

林荣一的多元化的音乐风格在众多项目中有所展现，包括涉谷毅管弦乐团、与片山广明组成的双人乐队 De Ga Show、与板桥文夫的二重奏，以及与年轻爵士音乐家组成的 Gatos Meeting 乐队等。

Born in Tokyo in January 1950, Eiichi Hayashi began playing the saxophone in a brass band during his middle school years.

For about 10 years after graduation, he played bebop and R&B in cabaret house bands and his own groups, but as these weren’t prominent activities, he was known only to insiders as the “phantom alto saxophonist”.

There’s an anecdote that as a high school student, he spontaneously joined Yosuke Yamashita Trio for a performance at the Shinjuku Pit Inn. In 1981, he coincidentally reunited with Yosuke Yamashita and joined the then Yosuke Yamashita Trio as a “plus one” member. Although the group disbanded in 1983, their European tour performances were released as the live album In Europe 1983.

In 1990, he formed his own band MAZURU. They performed at the Nuremberg Jazz Festival in Germany, receiving great acclaim. Subsequently, he collaborated with Junko Onishi, Soushi Akitagawa, Aki Takase, Takeo Moriyama, and others. Around this time, he began appearing on more albums, allowing his unique sound to reach many listeners. Besides performing, he also extensively composed and arranged music. Among his works, “Naadam” has become a signature tune for Shibusashirazu Orchestra.

Hayashi’s diverse musical persona can be heard in various projects, including the Tsuyoshi Shibuya Orchestra, the duo De Ga Show with Hiroaki Katayama, a duo with Fumio Itabashi, and Gatos Meeting, a band with young jazz musicians.

从低音开始 Start with the Bass

丹麦 Denmark / 中国 China

场地 Venue
深圳 B10 现场 B10 LIVE, Shenzhen

演出者 Artists
Maria Bertel – 长号 Trombone
老丹 Lao Dan – 萨克斯 Saxophone / 笛子 Dizi / 效果器 Effects

Maria Bertel

Maria Bertel 是一位丹麦长号手、即兴演奏家和作曲家。她从嗡鸣和噪音音乐中汲取灵感，手中乐器的原声经过扩音，制造出令人意想不到的声响：细微的动作、金属摩擦和呼吸声在她的音乐中交织缠绕，始终处于变化之中的有机模式不断堆叠，微小的声音变得极其清晰，乐器的泛音也显现出它的轮廓。在她的作品中，我们常常能听到许多平常难以听到的声音。

在个人计划外，她还在“臭名昭著”的四人噪音摇滚乐队 Selvhenter 和与 Nina Garcia 的即兴噪音二重奏中作曲和演奏。她也是 2010 年成立的哥本哈根艺术团体 eget værelse 的五位联合创始人之一。

她曾受邀参演多个音乐节，如瑞士的 LUFF、OFF 和 B-Sides，比利时的 Summer Bummer，芬兰的 Flow，英国的 Supersonic 和 Raw Power，法国的 Sonic Protest 和 Meteo，丹麦的 Gong Tomorrow 和 Roskilde，以及挪威的 Borealis 等。

Maria Bertel is a Danish trombone player, improviser and composer. The acoustic sound of her instrument amplified creates an output that draws inspiration from drone and noise music. What is normally not hearable is presenting itself: movements, metal and breath become a swirling part of her compositions; changing organic patterns are emerging, and tiny sounds become brutally clear as well as the range of overtones of the instrument.

Apart from her work as a solo artist she performs and composes in groups like the notorious four-piece noise rock band Selvhenter and the improvised noise duo with Nina Garcia. She is also one of five co-founders of the Copenhagen based art collective eget værelse founded in 2010.

She has presented her music in various festivals like LUFF (CH), Summer Bummer (BE) Flow Festival (FL), Supersonic Festival (UK), Raw Power Festival (UK), Sonic Protest (FR), Gong Tomorrow (DK), Roskilde Festival (DK), Borealis (NO), OFF Festival, B-Sides Festival (CH), and Meteo Festival (FR).

老丹 Lao Dan

老丹，实验/即兴音乐人，多乐器演奏者，以竹笛与萨克斯管为主要乐器。他的音乐融合了摇滚乐、实验音乐、噪音与中国传统民族音乐，作品富于即兴灵感与美学张力，常在东方和西方、古代与现代的激烈对撞之间为观众带来强压迫感的听觉体验。

在过去十年中，老丹活跃于国内与国际音乐场景中，曾赴美国、日本进行个人巡演，并与海内外诸多音乐家展开合作，受到听众与业界的极大肯定。在个人计划之外，他也曾参与红领巾、突突二重奏、突突不死、哔哔哔 哔哔哔、丽江五重奏等音乐组合，在多个国家共发表二十余张独奏与合作专辑。 

2020 年，英国先锋音乐杂志 The Wire 对老丹进行了专访报道；2024 年，老丹受邀作为驻地艺术家在哥本哈根爵士节登台演出。

Lao Dan is an experimental/improvisational musician and multi-instrumentalist, primarily playing dizi(Chinese bamboo flute) and saxophone. His music blends rock, experimental, noise, and traditional Chinese folk music, characterized by improvisational inspiration and aesthetic tension, offering audiences a powerful auditory experience through intense contrasts between East and West, ancient and modern.

Over the past decade, Lao Dan has been active in both China and international music scenes, touring the U.S. and Japan and collaborating with numerous musicians worldwide, earning significant acclaim from audiences and industry professionals. Beyond his solo projects, he has participated in musical groups such as the Red Scarf, TuTu Duo, TuTu Noise, bBb & bBb, and Lijiang Quintet, releasing over 20 solo and collaborative albums across various countries.

In 2020, the UK avant-garde music magazine The Wire conducted an exclusive interview with Lao Dan. In 2024, he was invited as an artist-in-residence to perform at the Copenhagen Jazz Festival.

英国 UK

场地 Venue
A3+

讲者 Speaker
John Edwards

现场翻译 Interpreter
李奇 Li Qi

自由即兴是音乐创作中最具挑战性的形式。

它最好的样子，是演奏者对每毫秒都高度敏感，能听到每个微小的声音，并且几乎能直接读懂其他音乐家内心的想法。它需要一种动物般的状态，让每种感官都在极端强度下工作，能感知到每个振动，甚至在狂风暴雨中也能听到针落的声音。

共情，分享，相互支持。

没有人能评判音乐的对错或好坏。只有即兴演奏者自己对当下的行为和反应负责——它可能成为负担，但又何尝不是一种奢侈？

Free improvisation is the most challenging form of music-making.

At its best, the practitioners are hyper-aware every millisecond, hear every micro- sound that occurs and almost mind-read the other musicians present. It involves an animal-like state of being, where every sense works on an extreme level of intensity, where every vibration is felt, where the ear can indeed hear a pin-drop in the centre of a raging storm.

Empathy, sharing, supporting.

Nobody can judge the music to be right or wrong, good or bad. Only the improviser themself carries the responsibility of their own actions and reactions within the moment—this could be a burden but is truly a luxury.

关于讲者 About the Speaker

John Edwards，一位来自英国的低音提琴手，于 20 世纪 80 年代末开始演奏，与即兴音乐巨头如Derek Bailey、John Butcher 和 Peter Brötzmann 合作。自 1995 年以来，Edwards 成为伦敦音乐圈中最活跃的音乐家之一，每年演出 150 至 200 场。他曾与 Evan Parker 在多个项目中搭档，并与 Tony Bevan、Jon Lloyd、Veryan Weston 和伦敦即兴演奏乐团等有过合作。

John Edwards, a British double bass player, began playing in the late 1980s and has collaborated with improvisation-music giants such as Derek Bailey, John Butcher and Peter Brötzmann. Since 1995, Edwards has been one of the most active musicians on the London circuit, playing between 150 and 200 concerts a year. He was a fellow musician with Evan Parker in various formations and he also worked with Tony Bevan, Jon Lloyd, Veryan Weston and the London Improvisers Orchestra.